Cinema Dissection: American Graffiti

September 14, 2024

Film Talks

After his avant-garde sci-fi flick THX 1138 failed to perform with critics or at the box office, George Lucas’s cinematic career appeared to be in jeopardy. His next film, however, would be a complete 180 in every conceivable way: a nostalgic coming-of-age drama drawn from his teenage-years growing up in Modesto, CA.

Produced by Francis Ford Coppola, American Graffiti became a blockbuster hit, beloved by audiences and critics alike, and established Lucas as a major filmmaker within the Hollywood system. And, of course, it also possesses the greatest movie music soundtrack of all time.

Join facilitator and SIFF Programmer Dan Doody for a shot-by-shot examination of cars, girls, and rock n roll to answer the age-old question, “Where were you in ’62?”

PASSES & TICKETS
Cinema Dissection Pass: $130 | $100 SIFF Members
Individual Tickets: $30 Sustainer | $25 Regular | $20 Member

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SIFF year-round passes and vouchers are not valid for this event.

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CLASS SPECIFICS

Saturday, September 14, 2024
10:00am–4:00pm PT
SIFF Film Center

ABOUT CINEMA DISSECTION

Cinema Dissection affords film lovers an exciting opportunity to dig deeper into the films that they love. Inspired by Roger Ebert's annual Cinema Interruptus in Boulder, CO, attendees will participate with a facilitator in a six-hour scene-by-scene, and sometimes shot-by-shot, deconstruction of the featured film. While the facilitator will certainly share their thoughts, anyone in the audience may call out "Stop" and either ask a question of the group or make an observation around a certain shot or moment in the film.

About the Instructor: Dan Doody

About the Instructor:

A Seattle-area native, Dan Doody received a degree in English from Western Washington University, and began working for the Seattle International Film Festival in 1999. He programs both features and short films for the festival, serving on the WTF! committee and as the festival's lead coordinator for its Oscar® qualifying ShortsFest section. He is an enthusiast of the gothic in both film and literature, the pagan-haunted pastorals found in English ghost stories, and the seedy streets of film noir. He could quite happily live in a crumbling castle so long as it was within walking distance of a neon-lit diner on a rain-slicked city boulevard.